First published in 1957, this seminal work of film theory analyzes the process-"the mysterious alchemy"-by which novels are transformed into films. Beginning with a discussion of the aesthetic limits of both the novel and the film, George Bluestone goes on to offer close readings of six films based on novels of serious literary merit- The Informer, Wuthering Heights, The Grap...(展开全部)

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

A doomed lord, an emergent hero, and a dazzling array of bizarre creatures inhabit the magical world of the Gormenghast novels which, along with Tolkien's Lord of the Rings, reign as one of the undisputed fantasy classics of all time. At the center of it all is the seventy-seventh Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormengh...(展开全部)

A doomed lord, an emergent hero, and a dazzling array of bizarre creatures inhabit the magical world of the Gormenghast novels which, along with Tolkien's Lord of the Rings, reign as one of the undisputed fantasy classics of all time. At the center of it all is the seventy-seventh Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormengh...(展开全部)

Published to coincide with editor Blake Baileyas groundbreaking new biography, here are the five novels of John Cheever, together in one volume for the first time. In these dazzling works Cheever laid bare the failings and foibles of not just the ascendant postwar elite but also the fallen Yankee aristocrats who stubbornlya and often grotesquely and hilariouslyacling to their s...(展开全部)

Two powerful novels from ';a superb storyteller': An Oprah's Book Club selection and New York Times bestseller plus a National Book Awardnominated debut (The Washington Post). The highly acclaimed no

どうせ僕には、自分が見ているものしか見ることが出来ないんだ。「僕」には死んだはずの家族たちの姿が見える。一人、絵を描きながら過ごす「彼ら」との奇妙な日々がやがて、「僕」の本質を引きずり出す…。「しかしこの家は気持ち悪いな。きみの内臓のなかにいるみたいだ」。

どうせ僕には、自分が見ているものしか見ることが出来ないんだ。「僕」には死んだはずの家族たちの姿が見える。一人、絵を描きながら過ごす「彼ら」との奇妙な日々がやがて、「僕」の本質を引きずり出す…。「しかしこの家は気持ち悪いな。きみの内臓のなかにいるみたいだ」。

Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediation--all data had to pass through the needle's eye of the written signifier--but phonography, photography, and cinematography stored ...(展开全部)